Turkish Letters #12 part 2 -- Amsterdam (John) |
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The B&B was quite salubrious with comfortable beds, a well-appointed kitchen and, best of all, a bath. Half the television channels were English. The other half were Dutch. As Dutch just sounds like English spoken underwater this was not a problem. The layout of the building was quite bizarre. Dutch architectural planning was obviously the inspiration for Tetris. They take a plot big enough to house a Mini Minor and drop several floors of oddly shaped rooms on it until they achieve the desired height. Our flatette was reached by entering a narrow hallway, climbing a ridiculously steep set of stairs (in reality a carpeted ladder), through a doorway and crossing a landing and down another set of stairs. Back out the bedroom door, up a different flight of stairs, through a door and ducking some beams got you into the bathroom. Back down the stairs, across the landing (avoiding a hatchway that would deposit you on the family living below) through a passageway, up some more stairs and you were in the kitchen. Across the kitchen out a door and up some steps and you were in the roof garden. It was like navigating your way around a submarine that had been thoughtlessly parked on its nose. Definitely not to be attempted while drunk. Even sober I normally failed to find the kitchen on the first try.
Some may accuse the Dutch of being middle-class. This is a bit like accusing a whale of being big and wet. The Dutch invented the middle-class and do it with aplomb. Their intsy germanic fetish for neatness aside, the Dutch are the most civilised culture I have come across. Firstly, there are very few cars on the streets and those that are are treated with all the distain Neighbourhood Watch would show the local crack dealer. Secondly, many people ride or walk places, none of them jog, and there is scarcely a shred of lycra to blight the landscape. Thirdly, people display their bookcases in their front rooms. Fourthly, the place is awash with galleries. O.K. many are filled with crap but at least they are trying. I could go on but you get the drift.
We rambled about taking pictures of architectural details, streetscapes etc, and contravening the road rules. After several weeks in Turkey one tends to ignore road signs and traffic lights. We stared in amazement wondering what the little flashing lights on the corners of cars were. Luckily the Dutch don’t treat driving as a blood sport so we survived long enough to reacclimatize. In fact, it was the cyclists who gave us the most grief – you can’t hear them coming, and a bicycle bell doesn’t have the emphasis of a car horn.
Heading back to the hotel we passed through the red-light district. It was a bit early and the windows were empty except for the furnishings. It looked like bizarre Ikearotica. ‘Whoa, look at the legs on that stool. I’d like to sit on that!’ Having dropped our cameras off we nipped around the corner to a bar for a quiet ale or two. It was what the locals call a ‘brown café’. This is for the obvious reason that they ae predominantly brown. The walls, floor, beer, and customers’ teeth are all beige. A group of young students sat in a corner playing Scrabble (don’t you love it!). They, and most European students, looked like they just came from the 1968 riots, except with better hair. The barman recommended a restaurant and we set off in search of anything that wasn’t a kebab or a pide. There is nothing wrong with Turkish food but after six weeks we were desperate for a change - especially pork products. The restaurant was cosy, popular and well appointed. The food was delicious. The waitron who cleared our table was only slightly non-plussed by the speed with which we demolished our main courses, the tooth marks on the cutlery and the fact we had both eaten our napkins. After dinner we retired to a ‘green café’ called ‘Amnesia’ (‘nuff said). Very few distinct memories remain. We met two very relaxed, young Americans both of whom worked in the film industry. The young woman whose name I forget, as the result of a $17 cigarette, worked for the company that generated Aslan for the film ‘Narnia’.
On my return and after a huge and delicious breakfast we set off for the Reichsmuseum. Shiralee wanted to get some reference for 16th century costume, and to look at the wunderkamer. Unfortunately, but not unexpectedly given our run of luck with museums lately, it was closed for renovations. We took in an exhibition of Rembrandts and left cursing to look for a gallery/museum that was open. Eventually we found the Amsterdam Hermitage that was showing Byzantine artefacts. Many of these were brilliant and a couple were mind-boggling. We got to see about four linear feet worth of fragments of the true cross and a variety of rather morbid reliquies housing highly personal possessions of various saints – toes, fingers etc.
All too soon we had to head off to England. When I grow up or win Tattslotto (whichever comes first) I am going to move to Amsterdam despite the lack of Ataturk statues. |
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